These suggestions are provided as general instructions and tips for
making your project easier and more professional.
Always wax your thread, it strengthens and lubricates. Beeswax is
very common and available in any craft store. However, I prefer to use
white candle wax or paraffin (normally used for sealing jelly) as beeswax
has a tan color to it and has a tendency to make your work look 'dirty'.
There is now a wonderful product out called 'Thread Heaven', which is
a great thread lubricator, but I find I have to recoat my thread several
times during a project. I now use both wax and 'Thread Heaven', which
works very good.
Don't knot your thread if you don't have to. If necessary, use a spare
bead loosely tied about 6 inches or more above the end of your thread
for a 'stop bead'. When your work is done you can take out the bead and
weave the 'tail ' back into your work. For adding thread, simply weave
the end of your current thread back into your work until it is secure
(usually through 5 or 6 beads going in different directions). Weave your
new thread into your work in the same manner, making sure you come out
at the same bead and direction as the last thread ended.
Use clear nail polish to seal work such as brick-stitch earrings,
it will help them to stay firm, and will also seal the thread ends so
they don't work their way out. If the polish gets dirty or yellowed,
simply soak the item in polish remover, wipe off the old polish and put
on a new coating.
If you have made an error and need to eliminate a bead from your work
but don't want to pull out a bunch of finished work- break it carefully.
Many times you can weave your needle back through to the spot, carefully
hide the exposed thread and add a new bead. Breaking can be accomplished
by:
Break the bead with your needle-nose pliers placed on the top
and bottom of the bead. Do not break with the pliers across your
thread - your thread will break.
Insert a regular sewing needle into the bead and push or pull
it through using needle-nose pliers - if the needle is large enough
on the 'eye' end, the bead will break easily without damaging your
thread.
Use both methods at the same time - insert a large needle into
the bead, then break the bead across the thread with the pliers.
The needle will help protect your thread from breaking.
Seed beads come in many sizes and types. For beginning beadweavers,
I suggest a size 11 bead. They are the old standard for looming, peyote,
brick, and right-angle weave. Delicas are more square shaped with larger
holes than the standard (Rochaille) beads, and more consistent in size.
I don't recommend using Delicas for right angle weave, due to the sharp
edges, they don't make a very good 'nested' circle, and may even break
your thread. They are good for other types of weaving, especially if
you want a stiff, rather than supple, finished product (i.e., like the
difference between a brick wall and a mesh fence).
When purchasing standard seed beads, be picky!! Due to the way these
beads are made, they are not consistent in size. This is especially true
with beads purchased in tubes from a craft store. I prefer to buy my
beads in 'hanks', then I can see how even they look when strung. Beads
by the hank are readily available in bead stores, and in general are
less expensive than tubed beads.
When working on a project, select beads that are 'truly' the same
in size. If you pick up a bead that is too big - put it in it's own 'pile',
and do the same with beads that are too small. When you are finished
with your project you will have sorted many of your beads. Put the different
sizes in their own little storage containers and the next time you use
them, you will have less sorting to do.
The best thread for weaving is Nylon thread, which can be purchased
in small spools or large cones. You will need to pick the proper size
based on the type of weaving you will be doing and the size of beads
you will be using. The size of thread determines the strength and smoothness
of your beadwork. You may want to use anywhere from a size 00 (extremely
thin) to a size G (about the size of darning thread). For example, the
largest thread you would want to use for a brick stitch earring in size
11 bead would be size D. If you use a size 00 thread, you work will be
looser, but your fringes will be more 'supple'.
Nylon thread is available in many colors, too, but I have found that
many of the colors 'split', and black is actually much stiffer and thicker
than white. If you think your project really needs a colored thread,
a good idea is to use white and pull it through the tip of a felt pen
in the color of your choice, then wax it.
The length of the thread you use is very important. If it is too long,
it is hard to pull snugly through your work and has a tendency to untwist
and split after being passed through too many beads. The best I have
found is to use a length equal to 1-1/2 times the distance from the center
of my body to the tip of my fingers. Thread this on your needle and bring
the needle a little under halfway down the thread and you will be able
to pull your thread snug through your work in 1 arm stretch. Keep moving
your needle on the thread as needed and you won't have the problem of
wearing any one place on your thread thin.
There are also many other types of thread available these days, even
elastic. The other thread I've personally used a bit is Silamide, which
is essentially a 'wound' nylon thread that's pre-waxed. It's pretty nice
to work with, although I haven't used it enough to give details.
Always use needles that are specified as beading needles, they are
extremely thin and have very small eyes. They are generally sized to
match bead sizes; for example, size 11 bead takes a size 11 needle. However,
I prefer to use a size smaller, even though it is harder to thread the
needle (using a size D thread) as it allows me to pass through a bead
more often without splitting my thread.
The type of weaving also determines the preferred length of your needle.
The standard beading needle is 2" long and works for most everything.
If you are doing wide loomwork, though, you may want to try to find a
3" needle. These are harder to come across and are more expensive, but
well worth it. I have also found that the 1" needles work nicely for
most weaving, but are hard to handle if you have long fingernails. I
have also seen round needles, although I've never used them.
If you are making fringe of a single color, use a long needle and
you can pull the beads directly off of the hank string, a great time
saver if you have fairly consistently sized beads. Also, instead of counting
beads when making fringe, measure them!! 10 beads are not always the
same length, and can make your fringe 'off-kilter'.
A beading tray should be shallow and lined with a layer of soft cloth.
A shoe box lid lined with felt will work fine. I've used an old tin tray
and had a piece of suede on it. I can pick up the suede and shake it
out after each project. If you want the best tray for beading, try my Bead Blanket Tray - you won't be disappointed!! Click on the image of the tray to learn more about them.
Pour your different bead colors that you are going to use into 'piles'
to make them easy to 'scoop' your beads onto your needle. This eliminates
the need to pick up each bead with one hand to thread it on to your needle.
This is also why your tray needs to be shallow.
Keep a small ruler on the upper portion of your tray and you can readily
measure fringe lengths before weaving them into your work.
Here's a great tip from Chris Manes, of www.amuseink.com ,
check out her site - she has some fabulous work and patterns for sale! :
Try using Rubbermaid sheet cake holders for trays, line with
your favorite bead fabric. When taking a break you can put the lid on it
and store it away. You can use several of these when you have several projects
going at once (waiting for the UPS man to deliver those much needed beads
to finish some fringe). This is also a way to keep kitties out of things
when you have to answer the door etc. These trays are also good for taking
with you when you want to work on one particular thing. Another option
for trays is having a small roll cart that has several drawers designated
to different on going jobs. When you take a break the drawer/tray just
goes back into the roll cart, no muss, no fuss. This one does not allow
you to go traveling with it very well but some jobs are meant to be done
at home, at a table with good lighting.
There are many ways to store your beads, after all, they are very
small. If you purchase your beads by the tube or similar container you
can just keep them in there. However, if you are 'sorting' the large
and small beads, you will need additional containers. Small Ziploc-style
baggies are available in many sizes, can be found in most bead stores
and are inexpensive. They take up very little room when empty and a 2" by
3" one can hold an entire hank of beads.
Sporting goods stores are also great places to find storage for beads
and findings. Just go to the the fishing department. There is a vast
array of small containers for holding fishing flies, lures, hooks, etc.
After you have become addicted to beading you will want to purchase
a container to hold all of your small containers. Back to the fishing
department. . .get a tackle box. These have many different compartments
in many different sizes and can hold all of your tools and accessories,
too. I have a tackle box that holds 3 covered trays, each 7" by 11" and
divided into sections, which slide out of the front. The top of this
box has a huge compartment with more sections. I can carry this anywhere
I go (but it's very full . . .time to get another one) because the entire
box is only about 8" by 12" by 14" high and it has a handle. In general
tackle boxes are less expensive than the cutesy organizers you find in
craft stores. /p>
You will find your work easier if you keep some basic tools on hand.
Good tools are expensive, but my husband refers to tools as "an investment
in yourself". In addition to the obvious tools such as needles, you should
have:
Small sharp scissors - these will help you 'snip' stray
threads from your work.
Tweezers - an amazing number of miscellaneous uses for
these
Needlenose pliers - if you don't want to invest in crimping
pliers these will work just fine. Bending wire is probably their
most obvious job. They are also very useful for breaking beads.
Roundnose pliers - these are wonderful to have for shaping
wire and jump rings. You will alway get a perfect circle.
Magnifying light - I have found this to be my most useful
tool. It makes threading needles much easier in addition to being
great for looking closely at your work without eye strain. My light
has a circular flourescent tube around a 5" diameter magnifying glass.
The base swivels and stretches so you can put it anywhere. It was
expensive, but after I moved my beading to a different room, my husband
insisted on buying another one for him to use to read maps and all
sort of things.
Patience - Beadweaving takes a long time, especially
if you want to do a good job. Beads are small and do not add up to
a large project very quickly- so if you are a beginner, start with
something small. It is truly an under-appreciated art form, and you
must love doing it.